Profession of the Christian Faith or Decapitation: This was the choice given by Sigmundur to his Faroese Viking compatriot Tróndur í Gøtu. And so it was that in 999 A.D., the Christianization of the small “Faeroe Islands” began, casting a veil of oblivion over the ancient Scandinavian gods and only leaving the relics of forgotten heathenry buried deep within the Christian ritual. Or so it was believed…
Exactly 999 years later, a small group fondly remembering the archaic gods and rites came together to form the Faroese Viking metal band, TÝR. The one-armed God of War —the bravest of all— became the eponym of the Nordic quartet. Yet TÝR mastermind Heri Joensen is no war monger in disguise and points out that TÝR (also known as the God of Justice) is also revered for first seeking the avenues of diplomacy—an attribute that does not take away from this god of war’s drive.
A distinctive trademark that sets TÝR apart from most other bands of the Viking metal genre is the authenticity of their music: “Traditional music dating back to the Vikings, that is not preserved anywhere else in the world, not even in Iceland, is passed on in an oral tradition here and it is still alive and well. That is what we build our music on and draw great inspiration from,” explains Joensen.
Almost every song is based on Faroese or Norwegian lore, and is riveted in the garb of the folk metal genre. Its approach unmistakably creates very true Viking metal.
Following the release of a demo, the Ólavur Riddararos single, full-length How Far to Asgard, six years of innumerable gigs, and several domestic television appearances, TÝR’s second full-length Eric the Red became the Islands’ best-selling album, coming to the attention of Napalm Records, the label that finally made the album available worldwide in 2006.
Immediately, the unique approach of TÝR´s music, melting traditional Nordic songs and dances with Celtic influences, doom, heavy, and progressive metal found fans around the globe. “Hail to The Hammer” became the hymn to the new generation of folk, pagan, and Viking metal fans.
In late 2006, TÝR refined their trademark sound with Ragnarok. Technically brilliant and 100 percent authentic, Ragnarok was nothing less than a masterpiece within the true Viking metal genre. The Faroese band embarked on a European tour with Die Apokalyptischen Reiter and a few months later with AMON AMARTH. Though musically different, TÝR gained legions of new fans, impressed by the four men on stage, who were able to turn every show into a demonstration of musical prowess.
Festival appearances throughout Europe and continued touring followed until TÝR enjoyed their biggest live triumph ever at the very over-crowded Wet Stage in Wacken.
Land was released in 2008 and proved to be yet another milestone in the band’s career. Traditional Faroese lyrics marked tracks such as “Gátu Ríma,” “Fípan Fagra” and “Lokka Táttur,” and “Gandkvæði Tróndar,” which is a poem by J.H.O. Djurhuus about the Faroese chieftain Tróndur, who fought against the dying of the old beliefs and for the independence of the Faeroes. A video clip was produced to the fan favorite “Sinklars Vísa.” Land received overwhelming positive feedback and a new audience was able to experience the power of TÝR for the first time.
Following the release of Land, TÝR embarked on numerous tours through Europe. One of the highlights was without a doubt the Aaskereia Festival tour with then label-mates Alestorm and Hollenthon. Thanks to their efforts, the band reached many new fans with their memorable concerts. 2008 ended with TÝR being nominated as “Band of the Year” by the Faroese National TV and radio. However, the band had no time to rest on its laurels and embarked on yet another tour through North America in the spring of 2009.
Despite their busy touring schedule, TÝR worked on new songs recorded in early 2009. The band chose to produce the album on native soil. Jacob Hansen mixed the new material with finishing touches provided by the mastering experts at Finnvox. By the Light of the Northern Star met with great feedback from fans and critics alike. The new anthem “Hold the Heathen Hammer High“ was regarded as the legitimate successor to “Hail to the Hammer.” After the release of the album By the Light of the Northern Star, the band played numerous concerts and festivals, as well as taking part in the 70.000 Tons of Metal cruise, while still finding the time to work on new material for their upcoming release.
The story of King Thrym, who dared steal Thor´s hammer “Mjollnir,” may set the lyrical stage on TÝR’s latest album, but it does not prevent them from covering more current topics like in the track “Shadow of the Swastika.” The Lay of Thrym follows the path of the band’s previous releases by uniting classic heavy metal riffs with impressive drumming, traditional melodies, and powerful choruses. The result is a number of epic anthems, such as “Take Your TÝRant” and “Hall of Freedom,” both of which will most certainly earn a permanent spot on TÝR’s future set lists. Frontman Heri Joensen continues to give TÝR a unique and unmistakable edge with magnificent vocals and superb guitar work. Jacob Hansen was again responsible for recording, mixing, and mastering the album, complementing this fascinating Faeroese sound universe with finishing touches that allow every last detail to shine. The Lay of Thrym is a genuine Viking metal album that will undoubtedly secure TÝR’s hold on this genre with its heroic melodies and glorious riffs.
Hel / 2019
01. Gates of Hel
02. All Heroes Fall
03. Ragnars Kvæði
05. Sunset Shore
06. Downhill Drunk
07. Empire of the North
08. Far from the Worries of the World
09. King of Time
10. Fire and Flame
11. Against the Gods
12. Songs of War
13. Alvur Kongur
Valkyrja / 2013
1. Blood of Heroes
2. Mare of My Night
3. Hel Hath No Fury
4. The Lay of Our Love
6. Another Fallen Brother
8. Into the Sky
9. Fánar burtur brandaljóð
10. Lady of the Slain
12. Where Eagles Dare (Iron Maiden cover)
13. Cemetery Gates (Pantera cover)
Valkyrja is the seventh full-length album by the Faroese Viking / folk metal band Týr. It was announced on July 22, 2013 and released on the 16th of September, 2013 through Metal Blade Records.
The Lay of Thrym / 2011
1. Flames of the Free
2. Shadow of the Swastika
3. Take Your Tyrant
4. Evening Star
5. Hall of Freedom
6. Fields of the Fallen
7. Konning Hans
8. Ellindur bóndi á jaðri
9. Nine Worlds of Lore
10. The Lay of Thrym
The Lay of Thrym is the sixth full-length album by the Faroese metal band Týr. The name of the album comes from one of the best known poems from the Poetic Edda, called “Þrymskviða”, “The Lay of Thrym”. The band revealed the name of the album along with its release date on their MySpace page. The cover artwork is by Gyula Havancsák. This would be the band’s last album with long-time drummer Kári Streymoy.
By the Light of the Northern Star / 2009
1. Hold the Heathen Hammer High
2. Tróndur í Gøtu
3. Into the Storm
4. Northern Gate
5. Turið Torkilsdóttir
6. By the Sword in My Hand
8. Hear the Heathen Call
9. By the Light of the Northern Star
By the Light of the Northern Star is the fifth full-length album by the Faroese folk metal band Týr. It was released on May 29, 2009 through Napalm Records. The cover artwork is by Gyula Havancsák.
Land / 2008
1. Gandkvæði Tróndar
2. Sinklars Vísa
3. Gátu Ríma
6. Fípan Fagra
8. Lokka Táttur
10. Hail to the Hammer
Land is the fourth full-length album by the Faroese metal band Týr. It is a multilingual album with vocals in Faroese, English, Norwegian, Danish in Sinklars Vísa and Icelandic in Brennivín. It was released on May 30, 2008 through Napalm Records. The album is based on Nordic folklore. The final track is a new version of the song “Hail to the Hammer” which originally appeared on a demo in 2000, and again on How Far To Asgaard in 2002.
Ragnarok / 2006
1. The Beginning
2. The Hammer of Thor
4. Brother’s Bane
5. The Burning
6. The Ride to Hel
7. Torsteins kvæði
8. Grímur á Miðalnesi
9. Wings of Time
10. The Rage of the Skullgaffer
11. The Hunt
13. Lord of Lies
16. The End
Ragnarok is the third full-length album by the Faroese metal band Týr. It was released on September 22, 2006 by Napalm Records.
The album is bilingual with Faroese and English lyrics. The album features cover art by Jan Yrlund.
Eric The Red / 2003
1. The Edge
2. Regin Smiður
4. The Wild Rover
6. Ólavur Riddararós
7. Rainbow Warrior
8. Ramund Hin Unge
10. Eric the Red
Eric The Red is the second full-length album by the Faroese metal band Týr. It was released on June 27, 2003 by Tutl Records.
The album is trilingual with Faroese and English as the predominant languages. The song Ramund Hin Unge is sung in Danish(specifically Gøtudanskt).
The album was re-released on March 24, 2006 by Napalm Records with a new cover artwork and two additional tracks originally from a demo released in 2000.
The original cover features a painting by Haukur L. Halldórsson titled The Ocean God. The re-release album features cover art by Jan Yrlund.
How Far to Asgaard / 2002
1. Hail to the Hammer
3. The Rune
4. Ten Wild Dogs
5. God of War
6. Sand in the Wind
7. Ormurin langi
8. How Far to Asgaard
How Far to Asgaard is the first full-length album by the Faroese Heavy Metal band Týr. It was released in January 2002 by Tutl Records.
“Ormurin Langi” is a metal version of the traditional Faroese song. A video for the song was also recorded in Iceland.
The song “How Far to Asgaard” is 8:59 in length, followed by 9:50 of silence. At 18:49 there is the Faroese poem “Nornagest Ríma” chanted by a group and accompanied by rhythmic stamping.
The Russian release of the album is issued by СД-Максимум (CD-Maximum) under license from Tutl Records. The 9:50 of silence on the track, “How Far to Asgaard” is shortened to just 0:51. This version also contains the video for “Hail to the Hammer.” The album art on this version is an obvious remake of the original.
The album was re-released on October 2, 2008 by Napalm Records with a new cover artwork and two additional tracks originally from the single Ólavur Riddararós released in 2002. In the re-released version, the poem “Nornagest Ríma”is used as a bonus track after the song “Stýrisvølurin”, instead of “How Far to Asgaard”. “Stýrisvølurin” ends at 6:42, and is followed by 2 minutes, 52 seconds of silence, until “Nornagest Ríma” starts at 9:34.
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