Therion

Therion
STYLE: , ORIGIN: SwedenFORMED: 1988LABEL: Nuclear Blast
  • MEMBERS:
  • Christofer Johnsson — guitars, keyboards, programming, Hammond organ, orchestral arrangement
  • Thomas Vikström — lead vocals
  • Nalle "Grizzly" Påhlsson — bass guitar
  • Sami Karppinen - drums
  • Christian Vidal — guitar
  • Lori Lewis — vocals
BIOGRAPHY

Therion was formed in Upplands Väsby (a suburb to Stockholm, Sweden) in 1987 by Christofer Johnsson, under the name ”Blitzkrieg”. Chris was at that time playing the bass and did the vocals. The line-up consisted besides him of Peter Hansson on guitar and Oskar Forss on drums.

Peter and Chris had been jamming together in another group (a ”jam-group” rather than a band would be correct to say) earlier that year and Chris had been trying to put something together with various people earlier, before Blitzkrieg finally became a reality. Oskar was an old school mate of his.

Blitzkrieg had influences such as old records by Slayer and Metallica, but sounded maybe more in the direction of Venom and Motorhead. Not many know, as they never recorded any demos and only did 2 concerts before they decided to break up in early 1988. Chris however never gave up the idea and during a few months he switched to guitar, started to be influenced by bands like Celtic Frost and reformed the band with Peter under the name Megatherion. After a while also Oskar returned to the band and there they were, same band again, but with a new name and a new death metal oriented sound. After some time they found the bass-player who one you can hear on their recordings; Erik Gustafsson, who was just leaving another young Stockholm area death metal band; Dismember. Shortly after the name was changed to Therion.

With this line-up the band recorded 2 demos (the first one had the later Dismember singer Matti Kärki on vocals in a short attempt where Chris wanted to focus on the guitar), one mini-LP and one full length LP/CD, that would make the band known as one of the most promising upcoming death metal underground bands.

The Early Years As Recording Artists

In 1990 the vinyl only release ”Time Shall Tell” was released by a local record store in 1.000 copies. This was actually the third demo recording that got released as a record instead of cassette. It got the band the attention from labels and they signed to Deaf Records for one album, something that resulted in the debut full length release ”Of Darkness” in 1991.

The music on this record was a compilation of songs written by Chris during the 80’s and even though the band had newer songs, they choose to save it for the new release, thus indicating that this was both a debut album as well as an end of an era. The sound on ”Of Darkness” is (for that time) progressive death metal with certain influences that was back then considered to be unorthodox. And the lyrics were the political type that bands like Nuclear Assault and Napalm Death were known for in the late 80’s. Being especially influenced by Celtic Frosts ”Into the Pandemonium”, Chris wanted to take the band way beyond the limits of death metal, however at this point he never in his wildest dreams would have realized how far it actually would go just 5 years later.

On ”Of Darkness” there were a few small attempts of incorporating keyboards into the songs and this would be one of the main changes along with some female vocals and some clean male voices. The trademark of this new sound was the song ”Symphony of the dead” that was a highly appreciated song in the live performances back then and who have found its way back a few times even in live performances in later years.

Before the recordings started, the bass player Erik had left the band (to move back to his native country USA) and Therion recorded their second album ”Beyond Sanctorum” (released 1992) as a trio with Peter and Chris playing the bass. The lyrical concepts had now changed to an occult direction.

This record received extremely good reviews and the band got offered their first shows in central Europe, which was focused around Holland and Belgium.

As Oskar was awaiting his second child he now took the choice of becoming a responsible family man rather than a touring low paid musician. Also Peter was here choosing to take a step back and resign from the band – in his case due to health and musical reasons. So those shows were performed by a new line-up consisting of Piotr Wawrzeniuk (band mate to Chris in his other project Carbonized) on drums, Andreas Wahl on bass and Magnus Barthelsson (a school mate of Chris who had been playing in other bands in Upplands Väsby) on guitar.

 

Wild Years Of Experimenting

After the departure of the old band mates that had been the companions of Chris since the start, he was uncertain if he should continue under the name ”Therion” or not. Especially, as he had felt the taste of blood with experimenting musically and wanted to go much further. There were already some people asking why the band didn’t change their name when releasing the (at the time) very innovative and new thinking ”Beyond Sanctorum”. What would people say if the step was taken again and this time even bigger?

Chris decided to keep the name on the basis that he was still the main songwriter and that the band would anyway continue to play the songs from the first two records, so it would have no practical use in changing the name.

The band gathered together and was making some highly experimental songs and in 1993 ”Symphony Masses: Ho Drakon Ho Megas” was the results of their efforts. To fully understand just how wild was this record for a band labeled as death metal, one needs to listen to dozens of other death metal releases from that time and earlier. What was considerably small experimentations on the previous albums with keyboards and Persian scales, here went totally wild at some points and Therion also experimented a bit with jazz, industrial music, religious chanting (today you would say ”gothic”) and 80’s heavy metal inspired by Iron Maiden and Judas Priest.

Active Records had decided to cut down their activities and release no new records, so Therion was transferred to the owners new label Megarock Records. The reviews were mostly very good, though some music journalists started to loose the grip on what the band was doing.

Therion promoted the record on a tour supporting (among others) Grave and Massacra as well as a bunch of headline shows in Germany. There was (at this point) a very strong core of die hard fans into the music of Therion, but still the sales were not excellent and Therion was an underground act only known to those into extreme music. There was plenty of work but almost no money. The well known problem of needing a job at home to be able to pay rent and eat and also to keep this job when requesting periods of days off for touring with the band was forcing Magnus and Andreas to give up Therion. Fredrik Isaksson was brought into the band to play the bass and Therion was now a trio.

Chris was taking some months off from Therion and made a record as a vocalist for the Swiss band Messiah and when coming back there was an offer from Nuclear Blast to sign the band. Megarock Records had done all they could and the personal relation between the label and Therion was extremely good. Nevertheless Megarock lacked the resources to push the band enough, so they did something that normally NEVER happens in the music business… they were letting Therion go without any financial claims, even though there was a contract for more albums. They wanted the best for the band (which they realized would need huge resources in the future), so they recommended Therion to sign with Nuclear Blast instead, and so they did.

The results came in 1995, ”Lepaca Kliffoth”, another step in experimentation, featuring a classic soprano and bass-baritone, more keyboards, more Persian influences, more melodies and while ”Symphony Masses” had some vocal experiments by Chris, this record had a completely new style of singing (some say in a more hardcore way), and by that one of the last few remaining bounds to their original style death metal were cut off. There were also some influences that are hard to label, like the title track. Therion started to grow out of their clothes musically speaking and Chris started to find more and more inspiration in 70’s progressive and symphonic bands like Klaatu, Pavlov’s Dog, Eloy, Pink Floyd, Mandala Band and many more.

Some touring was made with Annihilator in Germany and a small headline tour was made in Argentina and Chile (with a friend of Chris called Tommy on second guitar). As Fredrik had some considerable personal problems that prevented him from participating on the Annihilator tour, the band brought in Lars Rosenberg from Entombed as a session bass player. In the end Piotr declared he had considerable personal problems with Fredrik as well, so Chris agreed that Piotr could fire him. Lars was shortly after fired from Entombed and then got to be the permanent bass player in Therion.

The band took a small step forward towards the big forthcoming success, but at this point still remained an underground band. There were discussions between Piotr and Chris about what to do in the future. Chris had several songs written in the passed that he had saved (due to lack of budgets) and that he would like to realize now. But there was still a lack of money for recording budgets. Naturally a band that don’t sell too many records also don’t get huge recording budgets (record labels need to make money just like all other companies), but without money Chris didn’t see how they could go on. This could have been the end of the band, but destiny had other plans in mind for Therion.

Chris called Nuclear Blast chief Markus Steiger and explained honest the situation. ”No more album based on my vocals and I need two choirs, a better recording studio, two producers and more time in the studio – if not I rather give up the band and stay happy with what I achieved so far”. Chris was also frustrated that there were too few tours. The problem was that the band was too small to have a manager, as there was no financial interest in the band at this level. Without a manager it’s very hard to get on the good tours. And without tours – no improved record sales. Without better sales – no better recording budgets. And without a good budget the future record of Therion simply could not become realized.

Luckily Markus Steiger was not only a record company boss; he was (and is) also a very dedicated music lover and is a fan of the band. So luckily he agreed (with no amounts of money mentioned) that Therion would get what they needed to complete the record Chris wanted to do.

Ex. Unanimated guitar player Jonas Mellberg was brought into the band and Therion started to put together what would be their most important album ever.

The Break-Through And The Way To The Big Success
Recording at Impuls Studio in Hamburg, Germany, the band was putting on tape the songs that would forever change the career of Therion and the future budget situations.

Chris thought that this was his big masterpiece and loved what he heard. Nevertheless he strongly doubted that it would sell, the big masses if metal fans seemed to be too narrow minded for the experimental type of music Therion played. He talked about it with Piotr and said that this would be the final record of Therion, as it would flop and there would be no way he would go back to working like earlier with small budgets and guitarbased music. Piotr in some ways disagreed that this should be the final record, but reacted with planning his future without Therion and started to study (history) at the university instead.

Besides 2 different choirs (one classic and one rock choir), tons of keyboards and classic samples (humoristicly called ”Barmbek Symphony Orchestra” after the subway station next to the studio), there were some small vocal parts by Chris in the style of Lepaca Kliffoth, the rest was performed by the multi flexible singer Dan Swanö (Edge of Sanity, Nightingale etc) and Piotr with his very characteristic voice.

Before the album was mixed, the band went on a small headline tour in Europe.

 

(Chris comments:) ”We were broke, needed some distance to the music before mixing it and I personally considered it our last tour as I never imagined how we would perform the new songs live – even if we would be offered something. I felt quite depressed at the time”.

 

During the tour it became clear that both Jonas and Lars had problems with alcohol and with Jonas there were also some personal issues. The problems continued a bit even in the studio while mixing, so Chris suspected that touring with them could become a problem.

The results of this recording was named ”Theli” and even before it was released in 1996, there was a recording in Sweden where the band recorded a song for an Iron Maiden tribute album. Too much alcohol and too many emotions led Jonas to leave the studio without saying a word (and by that also leaving the band) and left most of his parts unfinished for a very stressed Chris to complete.

After the album release there were extremely positive reviews in all major music magazines, the sales doubled compared to ”Lepaca Kliffoth” in a month and suddenly there was an offer to tour with Amorphis, who was one of the most popular original metal acts at this time. Chris got really happy, but most of all surprised and puzzled. And also got a bit of panic… go on tour, HOW? First of all he knew no people that could sing the songs that would do it for the money one get paid in the rock business. Secondly there would be basically no money at all to pay musicians and singers – the recording had cost 56.000 German marks (around 28.000 Euro) which was by far the highest in the history of Nuclear Blast (the band even made a bad joke about it and thanked record label boss Steiger for selling his car to afford the recordings in the CD booklet). They never imagined it would have been that expensive so they wanted to see the sales go up while still being careful with additional expenses – the tour as a support act would cost tons of money anyway.

Chris got through friends and his girlfriend in touch with some amateur singers that he thought could do the job good enough.

To get musicians to the band, Chris asked his friend Tommy again to help out, this time as a drummer (Piotr was busy with his studies), Tobias Sidegård from Necrophobic was ”hired” (”Well, he got his apartment rent paid and the free beer on the tour” comments Chris) as a live session guitar player, Kimberly Goss (later in Dimmu Borgir and now in Sinergy) was also ”hired” for the task of playing the keyboards (and backing vocals) and then the band finally could go!

The tour was a huge success even though ”the band sounded like shit” according to Chris’ own words. ”I guess people were so amazed that we actually pulled it off that they simply had to love it,” he continues.

Lars drinking problems got worse and worse though and even the soprano and tenor that was ”hired” started to get serious problems to perform well from the ”rock n’ roll life” on tour. After Lars falling on his ass once due to being too drunk (besides playing like shit most of the time anyway according to Chris), the soprano starting to take drugs and the tenor getting worse and worse, Chris simply had enough and at the end of the tour Lars was fired and the singers were not welcome back. Luckily the record sales had gone very much upwards all the time, so Therion was now (for the first time) a very attractive band for promoters to book. A second tour with 2 professional sopranos and with Piotr (who had a short break in his studies here) taking care of the tenor parts took place in early 1997 with Sentenced, My Dying Bride and others and the band now sounded better. Bass player Andreas Wahl returned shortly to the band to do this tour.

The demand for the band was increasing so even a third European tour was taking place, now with Lake of Tears and Crematory, with Therion headlining the shows outside Germany. This was the first tour the band worked together with Sarah Jezebel Deva (Cradle of Filth). A guy called Kim handled the bass. The tour was a great success and this year was also the bands 10-year anniversary album ”A’arab Zaraq Lucid Dreaming” (a compilation of some remaining Theli songs, cover songs and the soundtrack Chris did for an art film called ”The golden embrace”) was released.

The wind was now finally blowing in Therion’s direction and everything seemed perfect for the next album recording; a manager had signed with the band, the deal with Nuclear Blast had been re-negotiated (and now guaranteed big budgets) and the sales figures were making everybody happy. The only problem was; ”the band” was now only Chris + hired musicians. He realized that the ”live musicians” would not be able to realize his visions in the studio, so instead professional studio musicians were hired to play the drums and the bass: Wolf Simons and Jan Kazda. Tommy was helping out with some of the guitars. Despite the fact that it was released under the band name Therion, Chris regard this record as being his solo album.

This recording took place in the famous Woodhouse Studios and for the first time a real string orchestra was used. Together with a hand picked opera choir it took Therion another step in the development on the path of progression. Sarah did some vocal participation as well along with an Austrian singer called Martina Hornbacher (now Astner, previously in Dreams Of Sanity).

The songs were more melodic and the production was clean and made the record more accessable for the masses. The result was that when this record, entitled ”Vovin” was released -98, it DOUBLED the sales compared to ”Theli” and the former underground band that had struggled for so many years was now one of the most hyped band in the European metal scene and the best selling band on Nuclear Blast.

A very extensive European tour was made as co-headliners with Moonspell. Two months of constant touring with only one day free – playing everywhere between Scottland in North-West, Finland in North-East, Hungary in South-East and Portugal in South-West. On this tour Tommy played the second guitar, Kim the bass again, Sarah and Martina sang soprano and the girlfriend of Kim, Cynthia, who has a very deep voice for a female was singing the male (!) parts.

The drums on the tour was performed by the, at this time, hired drummer Sami Karppinen. After the tour he was offered a permanent place in the band and some material for a planned mini-CD called ”Crowning of Atlantis” was performed. Later some live songs were added on and it got released as a full length ”in between-release” CD in 1999.

Introversion And Regained Band Feeling
Being one of the best metal drummers in Sweden, Sami had good contact among the other high-skilled musicians. This was a great help to Chris, who had his roots in the death metal scene and knew very few musicians besides those of that scene. Now was the time to create a new real band line-up and Kristian Niemann (a guy that Sami had jammed a lot with) – who was a metal guy who had gone through a lot of jazz music and lately returned to metal again, was offered a place in the band. Later his brother Johan was offered the place as a bass player and for the first time in some years Therion was a real band with a full line-up again.

Chris already had all the material ready for the follow up to ”Vovin”, so there was no chance for the Niemanns to contribute with any song material, so maybe it would be fair to say that the result ”Deggial” was 90% another solo album, but played by a permanent band. The band never rehearsed together before the studio (a habit Chris got since ”Vovin” when there was no band to rehearse with) and it sounded therefore more like if it was recorded with studio musicians like on ”Vovin”.

The songs were less easy to listen to than the previous album – more complex songs and this time a full symphony orchestra. Chris has explained that his song writing started to become more ”introvert” – more written for his own pleasure only and less written for an audience. Reviews of the record after the release 2000 were mostly positive but varied – the complexity was too much for some listeners. Nevertheless it was a big success among the fans (selling better than ”Theli”) and Therion made their first European headline tour along with one of Chris’s old favourite bands Voivod and the support act Flowing Tears. From this point and onwards, a variety of different singers started to be employed for the live performace, most famous among these is Anders Engberg (ex. Lions Share), who made a huge impression on the audience with his performance and due to people not knowing his name got the nick ”The cool bald guy that nobody knows his name”.

After ”Deggial” Chris started to work on new songs for the upcoming album and had 7 good songs when he suddenly felt strongly that Therion should do an album inspired by Nordic elements and have influences by folk music. So the 7 songs Chris already had written was put on the shelf for the time being and Therion focused on making a ”Nordic” album instead.

There were already 2 songs written for a side project that never happened (Kristian and Johan had said those songs were too good and should be used by Therion instead) and they fit in with this idea and were the first two songs for what would become Therion’s first concept album; ”Secret Of The Runes” – based on the 9 worlds in the Nordic mythology. The rest of the material was completed very fast – in two months! Here Kristian also started to contribute with his song writing by writing the biggest part the opening track ”Ginnungagap”. The release was in 2001.

For the recording of this record Chris took a very brave decision – he took the recording budget and built Therion’s own recording studio – Modern Art. Together with drummer Sami – who was the brain behind the construction and did most of the actual carpeting along with some hired professionals, he brought to life the idea of having a studio where the band could take as much time as they needed for recording without any stress thinking of the clock ticking and a studio rent being paid by the hour. The record was recorded with Sami as a sound engineer and later mixed at Finnvox Studios in Finland.

This was also the first record where Chris recorded orchestra and choir (which now were more complex than ever) without using a conductor and therefore made all the instructions directly to the musicians/singer, sometimes trying to find ways to incorporate also their opinions on the small details in the performance.

This album really showed that Therion was now a real band again. Both Kristian and Johan helped out a small bit with the work when building the studio, there were democratic discussions about arrangements and the performance of the songs and most of the classic musicians and singers were hired through contacts that Kristian had through his ex. girlfriend who is a classic violin player (she also played on the album). Strong teamwork and a strong will to not give up when unexpected problems appeared once in a while during the recording resulted in Therion’s most complex and innovative work ever!

Again the reviews were mostly very good, but varied – even more complex than ”Deggial” this record confused some listeners that lacked the patience to penetrate the glorious depths of this brilliant musical creation. Being an album without any ”hits”, this massive piece of geniously assembled musical art have found its place as a favorite Therion album among a huge part of the Therion die-hard fans and is generally rated as one of their strongest albums ever.

The album got followed up by touring as a main act in Europe (with Evergrey and My Insanity as support acts) and the band’s first full Latin America tour that was an incredible success for the band. No matter the success, Sami decided to leave the band and work full time in the Modern Art studio as a sound engineer and instead of being in a band as a musically active session drummer for various bands and projects. This was indeed sad news for Therion, but Sami showed responsibility and didn’t leave the band before first getting them a good replacement drummer; Richard Evensand.

During the tour, there had been many concerts recorded and a few of those ended up on Therion’s first live album, the double CD ”Live in Midgard”, which was released celebrating the bands 15 year anniversary in 2002.

New Directions

 

After the touring was finished the band started to work on the album that Chris was having in mind to make before the idea of a Nordic album had come up. Meanwhile there had been a lot of new songs written, so the 7 songs on the shelf had grown to a huge number of songs, which increased even more as time went by and also Kristian and Johan contributed with several compositions to the pot. When the time felt right to start putting all the ideas and songs together to an album, they discovered that they had 55 (!) songs – some of them being not entirely finished though. Discussions were made on how to do things with such a huge source of song material and they ended up deciding that they had enough good material for 3 (!) albums. They decided to record and release two of them simultaneously to catch up with their creativity (else there would probably be 55 more songs written by the time they get to record the third album in this trilogy).

The recording sessions started in Modern Art and besides instruments like drums, bass, guitars, balalaikas, domras and mandolines, the lead vocals and most of the opera soloist singers were recorded there. Then a huge symphonic orchestra, grand piano, harpsichord, some opera soloists and a 32 people strong choir were recorded in Prague. A real church organ was recorded at the oldest church of Copenhagen and finally they entered the Sun Studio with Denmark’s finest producer Lars Nissen to make some additional recordings of hammond organ and mellotrone before finally mixing this huge mass of songs there.

The results of 171 people involved with playing/singing and over 9 months of recording and mixing were finally put together and were named “Lemuria” and “Sirius B” and were released in May 2004. These twin records will hopefully convince people that Therion is a band that just have begun their musical odyssey and that the journey will both surprise, tease and astonish both their long time loyal fans as well as new listeners for many years to come.

As drummer Richard suddenly decided he didn’t want to be a permanent member and had him self tied up with other projects, Therion originally looked for a session drummer to do the touring for these albums. But they managed to find the right guy to become the new permanent drummer – Petter Karlsson! This is especially interesting, as Petter is also a good song writer and is likely to put his fingerprints on several Therion compositions in the future.

Petter did the World Tour 2004 and several festivals and shows 2005 together with the band and with singer Mats Levén also having joined in for the live shows (normally there are always different singers live compared to the records) + the classically trained soprano Karin Fjellander. The sound improved from earlier tours and they sound now better then ever both according to the band themselves and their live crew that have seen hundreds of shows with them over the years. The Lemuria/Sirius B Tour would last for 106 shows in over two years, ending at the ProgPower Festival in Cheltenham, UK on 21 March 2006. This was also the last of Christofer Johnsson’s vocal stage performance.

During the tour, the band even managed to make a new release, even if the songs on it were not newly composed, yet it was nevertheless interesting for the fans. It is called Atlantis Lucid Dreaming and it is a mix of tracks from 1997 A’arab Zaraq – Lucid Dreaming and 1999 Crowning of Atlantis. The track list is all the non-soundtrack songs from the first one (except for the Iron Maiden cover version), followed by the first seven Crowning of Atlantis songs, and additionally the live version of “Black Sun”. And since the interest for their live shows was higher and higher and they developed their live performance quality, Therion put together their first DVD, Celebrators of Becoming in 2006. It is made of 4DVD discs, one of them including the live footage of their Mexico City show in 2004 while others have a lot of video materials from the stage or behind it, making it a nice documentary for the band’s 2004-2006 tour. The set also includes the art movie “The Golden Embrace” all band music videos to date and bootlegs with commentary. In addition to the DVD’s, there are two audio CD’s with a live show recorded in Mexico City.

Classical And Gothic Times

 

Another dream of Chris became reality at the end of 2006, when the band joined forces with the Romanian National Orchestra and choir for a show at Palace Hall in December. The show had a successor six months later in Miskolc, Hungary. Both shows consisted of two parts, a classical one where more or less famous classical pieces by Antonín Dvorák, Giuseppe Verdi, Wolfgang Amadeus Mozart, Camille Saint-Saëns and Richard Wagner had been arranged for and played by orchestra accompanied by guitars and drums. The second part delivered Therion songs with orchestral support and was a genuine experience both for the audience and for the musicians on stage. Among the arranged songs, we can mention Eternal Return, Draconian Trilogy, Sirius B and The Siren Of The Woods, pure classical fragments of The Khlysti Evangelist and Wondrous World Of Punt (in Bucharest). The show in Romania was recorded and broadcast by the national television, while the stunning show in Hungary was recorded by the band and released later on in 2009 on a DVD + 2CD box set called The Miskolc Experience. The DVD also contains a “Making of” footage, and the first act of the Bucharest show.

Prior to the first show, in September 2006, Christofer announced the upcoming album, Gothic Kabbalah, was due to be launched in January 2007 and followed by a world tour with Grave Digger and Sabaton as support acts. The album came out as a double one, with 15 tracks altogether and 2 bonus live ones. And once again, it brought changes in the band’s line up: Petter Karlsson has returned to play drums, while Snowy Shaw, Mats Levén, Katarina Lilja, Anna Nyhlin and Hannah Holgersson performed the vocals. All of them backed up by the Niemann brothers and Christofer on guitars and bass. But Petter did his share in singing as well.

On this album that celebrates 20 years of Therion, the listeners would find a lot of references to the life of 17th-century esoteric scholar Johannes Bureus and even if it no longer offers the huge amount of participants as Lemuria/Sirius B does or fast songs as before, it still gets one through a progressive rock opera journey, spiced up with sounds of Hammond organs (including performances by Ken Hensley from Uriah Heep), flutes, tambourine, and different ranges of sopranos and tenors. There are many folk references in the songs that have been composed by or with the help from everyone in the band at the moment, completing Christofer’s work and ideas.

Also to mark their 20 years anniversary, on May 2007 a celebration tour was announced. It was limited only for 16 gigs, exclusively in Europe and they were due to perform the entire Theli album as the second act of the gigs, and ended with the main piece of the Gothic Kabbalah album: Adulruna Rediviva. Other songs were chosen upon the fans’ voting, except the Kali Yuga Part. 1-2. which was played due the fact they also decided to perform Kali Yuga Pt. 3, a song on the upcoming album. The tour took part in November and December 2007, and it brought Lori Lewis on stage, the lead singer for Aesma Daeva and a wonderful soprano, doing a really great job with Therion songs live. The other soprano on stage was Katarina Lilja. As for the male parts, they were performed by the newly added talented singer who can do both tenor and heavy metal voices, Thomas Vikström (his debut happened at Wacken 2007) and Snowy Shaw. The keyboard parts were played at every gig by Ferdy Doernberg, the songs being re-arranged for keyboards especially for this tour and the scene setting was giving the band a new Gothic and dramatic image. Some of the shows in this tour offered real treats for the audience, as they had Piotr Wawrzeniuk and Messiah Marcolin as guest vocalists and belly dancers on stage. All the guests, including Mats Levén, had returned for the final performance in Paris in December 2007.

Last Part Of The Quadrilogy

A sad news came out for the fans who got used to the current band’s lineup – the Niemann brothers and Petter Karlsson parted ways with Therion in the spring of 2008, after it was clear that they all had different goals and visions for the future. It didn’t mean that Therion has reached an end though, since Chris has always experimented with various musicians and it made it interesting to hear the different touch added to his music by the new members. Plus, he himself stated in an email from Kliffoth that ‘Therion has always been more of a musical organism rather than a regular band’. Hence, few months after the departures were announced, the world got the names of the new members. They were Johan Koleberg, as the new drummer who plays all the stuff from the previous drummers really well and adds his own personal style to it in a tasteful way, and Nalle Påhlsson as bassist. Nalle used to work with Thomas so they already had a good. Thomas Vikström became a permanent member of the band, the first ever in their history (besides Chris, when he used to sing). There was only one concert in 2008, in Poland at an open air festival. But due the success of the concerts in 2007, the band also released a second live album called Live Gothic, made of a double CD and one DVD and containing the recording of the concert in Warsaw, Poland on February 14, 2007.

Chris started with some of the songs back in 1999 and due to new ideas that kept coming up when putting together albums, the initial songs got postponed because of making the concept album Secret of the Runes. Some of them ended up on Lemuris/Sirius B, some more on Gothic Kabbalah, yet some more of them were left out. So, actually, we ended up with a quadrology when we take into account the album that was announced for release in the autumn of 2010, Sitra Ahra, an 11 tracks album. A new recording studio, Adulruna Studio, was been built and most of the recording of this album was done there. The mix done at the legendary Polar Studios in Stockholm.

 

Prior to the release, the band had several live appearances in Mexico and European festivals where they also presented the new guitarist – Christian Vidal, after Chris had tried to persuade Lori Linstruth to join the band. There were also some issues with Snowy Shaw, who announced in July 2010 that he’d leave Therion and play bass with Dimmu Borgir, but rejoined Therion in August 2010. In an interview about the upcoming album, Christofer declared that as usual, it will be thrilling for some fans, while some others would hate it. But he kept on playing the music he likes to make and bringing out the sound of the 70’s and 80’s wrapped in a way to fool the audience that it is modern music. The release of the album is followed by a South American Tour and then by an European one where most of the shows would have Loch Vostok from Sweden and Leprous from Norway, both progressive metal bands. Unfortunatelly, Nalle decided not to join as bass player for the tour due to problems with alcohol, but he stayed a member of the band. He was temporary replaced for the live shows by Waldemar Sorychta, an artist mainly known for his skills as a guitarist. The tour would bring out a new image of the band, since Therion is a band that needs to be rediscovered for each tour, just like each new album is a challenge to the perception of what is Therion and what is not.

During the spring 2011 Katarina Lilja stopped working with the band. Christofer wrote that she would like to give one more chance to regular life instead of touring around the world, since she had found a new boyfriend.

Kat was replaced with young Linnea Vikström, Thomas Vikström’s daughter. Her first experience with the band on the stage was at the Bloodstock Open Air festival in 2011. Yet, her very first experience was when she sang as a guest musician on “Sitra Ahra”.

The same year, in autumn, a big step for the band was done. Lori Lewis got a permanent status in Therion. It was a big thing not only for the band itself, but for the fans, too.

During the winter 2011/2012, the band was working on the new album. Chris did not want to make ”something boring” like a Best Of compilation for the 25th anniversary of the band. Instead of that he decided to do a cover album of old french songs. He was inspired by them for a very long time, and it was the right time for them to be used in the Therion way. He knew that an average Therion fan can not like such music, so he wanted to show that those songs can be “packed” on the different level. The album was named “Les Fleurs du Mal”, since the lifestyle and the whole image of Charles Baudelaire was partly linked with the album. Chris chose 14 songs and he rearranged them – he found the most dark, obscure, melancholic but at the same time most beautiful parts of the song and he put them in the main focus.

“Les Fleurs du Mal “was not released by Nuclear Blast. Christofer made his own label, Adulruna to release the album and financed the recordings by taking a loan at the bank using his adorable house Villa Adulruna as a security. Luckily the album did well and the loan could be paid back quickly, as well as leaving some cash to do some spectacular video clips from the album.

The album was revealed on the first show of a tour promoting the album – “Flowers of Evil”, which had 26 shows in Europe. The band had two support acts – spanish progressive oriented band Antalgia and french goth electro band Elyose. Stefan Jernståhl joined the band on the tour on keyboards.

On September 14, Christofer wrote that he would like to share some important news. He announced that the band is working on rock opera, so they will not do any regular tours or albums in a while. He wrote that he started with the rock opera a long time ago but “completing this rather gigantic project that involved writing music, synopsis/lyrics and designing scenery, clothing etc., will be taking quite some time. Years probably. I don’t want to work under pressure, things should grow naturally. ”

However, the band decided to do a tour during the winter 2013 to give a preview of the opera material to gather some opinions. Also, the guys performed the whole “Vovin” album and some other classics. The tour was a named “Rock Opera Unveiled” and the band had support acts: Russian Arkona and SoundStorm from Italy – the whole tour; Heavenshine, a symphonic metal band from Italy, was on the road one part of the tour. Polish band Coma joined on this tour on the second part of it.

In February 2014 two new products were out. One is a DVD set “Adulruna Rediviva And Beyond “ that contains the 2007 Anniversary concert in Budapest, the 2011 Atlanta show and bonus DVD features.
Comment from the band: “The concert recorded in Hungary was a concert on the “Adulruna Rediviva” 20 year Anniversary-Tour in December. The idea of the tour was to play the entire »Theli« album + a set consisting of songs that the fans had voted for on the band web page. Piotr Wawrzeniuk and our old friend Messiah Marcolin joined in to make this evening extra special. The concert in Atlanta was the band‘s only show in the USA since 2007 and was shot during the band‘s headline performance at the ProgPower festival 2011”.

The other product is a deluxe edition of “Theli”. This edition has three bonus tracks: ‘In Rememberance’, ‘Black Fairy’, and ‘Fly To The Rainbow’ (SCORPIONS cover). Also, there is a bonus DVD containing the band performing the whole album on the 2007 tour.

In spring 2014 the band announced that Lori due her family and business reasons would withdraws from performing live with the band.  Lori’s last performance in Europe was at the PPM festival, which was held in April in Belgium. Her final performance was in Mexico City, when the band finished a tour called “Evil Flowers and Opera – Latin America 2014”.  The band and fans said goodbye to Lori in a company of traditional Mexican mariachis. Still, she will be a part of the band and its member and she will continue with the band on the rock opera.

The guys from the band said:

“Therion has always been in motion and it seems to be the band’s destiny to always have some sort of alteration once in a while. Often while still being fresh in the form that is transforming into another.”

During the summertime 2014 the band was rehearsing for their first show in Sweden that was about to happen after after seven year. This was a time when they introduced a new live singer – Sandra Laureano. Sandra had experience with a few metal bands, as a singer and a bass player. She was studying opera singing and piano, so she didn’t have much troubles performing with the band. They played at the Sweden Rock Festival and impressions of the band and the audience were positive.

After this performance the band had a few more summer festivals and a tour scheduled for October 2014,  which was named “Inspiration and Friendship”. The tour started in China, where they played for the first time and then through whole Russia. Once it was announced the guys said:

“The band had such a great time with Arkona on the last tour that they decided to do a short tour together in Sibiria, for having a nice experience together and for gaining some more inspiration for proceeding with the composition of the Rock Opera. While in Russia they will of course do some shows in the european part of the country as well + a show in Belarus. Since almost all shows are in areas where the band never played before, it will be a best of set”. 

Sami Karppinen temporary rejoined the band as a drummer, since Johan Koleberg was not able to go on the tour due to his job situation.

The tour was crowned with a performance at the Female Metal Voice festival in Belgium, where both bands played.

The pressing time for the long waited DVD “Garden Of Evil” took more time then it was thought, but it finally was out in January 2015. The DVD was limited to 1000 copies and distributed by the band.  “Garden Of Evil” contains live clips (Santiago and Prague), secrets revealed from Villa Adulruna, a short film (Loris final day touring with the band), all Les Fleurs du Mal video clips and a lot of bonus material.

Therion had a few shows in the beginning of 2015, but without Sandra. Having problems reaching the highest notes in some songs every night during tough touring circumstances, she was replaced by coloratura soprano Isa García Navas. Isa had her first show with the band at the 70 000 Tons of Metal festivals. After this event two more shows were held in Colombia.

Meanwhile the band has been working on the coming rock opera.

The band had difficulties finding someone who could perform on the same level as Lori. After having Isa as a replacement for a short while, Christofer found a strong, powerful Italian soprano named Chiara Malvestiti. She had a background in both classical and metal world and she experienced performing with her previous band Crysalys. She did her first concert with Therion in Turkey in Autumn 2015 and immediately got good critiques and feedback.
While being in Sweden for the first time she also had an audition for the Rock Opera and as Christofer wrote “ Good news – she got the job!
So far we have 3 of the 4 main roles filled for the recording of it (Thomas Vikström, Lori and Chiara). For the live performance we will have to look for someone else doing Lori’s role, as she decided to withdraw from touring – but who knows, maybe there could be some special event where she appears on stage with us performing her role as the wife of Anti-Christ. Only time will tell.”

The band had difficulties finding someone who could perform on the same level as Lori. After having Isa as a replacement for a short while, Christofer found a strong, powerful Italian soprano named Chiara Malvestiti. She had a background in both classical and metal world and she experienced performing with her previous band Crysalys. She did her first concert with Therion in Turkey in Autumn 2015 and immediately got good critiques and feedback.
While being in Sweden for the first time she also had an audition for the Rock Opera and as Christofer wrote “ Good news – she got the job!
So far we have 3 of the 4 main roles filled for the recording of it (Thomas Vikström, Lori and Chiara). For the live performance we will have to look for someone else doing Lori’s role, as she decided to withdraw from touring – but who knows, maybe there could be some special event where she appears on stage with us performing her role as the wife of Anti-Christ. Only time will tell.”

 

The band had a small Latin Ameriacan tour in the end of 2015, bringing Luciferian Light Orchestra as an opening act. Luciferian Light Orchestra is a band formed by Christofer in 2014 that performs songs that Chris wrote in the past, but for different reasons didn’t end up on any of theTherion albums (mostly because they were too retro sounding for Therion). The style of the band is described as “70’s occult rock”.

In January 2016 Therion made a European tour. Luciferian Light Orchestra, Chinese band Ego Fall and Russian Imperail Age were support acts on this ride.

Therion is still in progress of making the Rock Opera.

BAND NEWS

Yesterday, symphonic metal titans THERION kicked off their pan-European headline tour with IMPERIAL AGE, NULL POSITIV and several others. While presenting some of the new tracks of their upcoming album »Beloved Antichrist«, THERION will also perform

February 2, 2018 by Tero Tolkki

Josh Rundquist of That Drummer Guy recently conducted an interview with mainman Christofer Johnsson of symphonic metal pioneers THERION. You can listen to the entire interview below. A few excerpts follow (transcribed by BLABBERMOUTH.NET). On THERION‘s forthcoming “Beloved Antichrist” triple

January 28, 2018 by Tero Tolkki

On February 9th, symphonic metal pioneers THERION will finally release their three-hour-long opera project »Beloved Antichrist«. After unveiling the opera’s plot, characters and the differences to the Russian novel it is loosely based

January 19, 2018 by Tero Tolkki

Symphonic metal pioneers THERION unveiled the plot and first track off their opulent opera project »Beloved Antichrist« last year, which will see the light of day on February 9th. Today the band is kicking

January 14, 2018 by Tero Tolkki
DISCOGRAPHY

Beloved Antichrist / 2018

Therion-Beloved Antichrist
  • Album Info
  • 2018
  • Nuclear Blast

Disc 1
1. Turn for Heaven
2. Where Will You Go?
3. Through Dust Through Rain
4. Sign Are Here
5. Never Again
6. Bring Her Home
7. The Solid Black Beyond
8. The Crowning of Splendour
9. Morning Has Broken
10. Garden of Peace
11. Our Destiny
12. Anthem
13. The Palace Ball
14. Jewels from Afar
15. Hail Caesar
16. What Is Wrong?
17. Nothing But My Name

Disc 2
1. The Arrival of Apollonius
2. Pledging Loyalty
3. Night Reborn
4. Dagger of God
5. Temple of New Jerusalem
6. The Lions Roar
7. Bringing the Gospel
8. Laudate Dominum
9. Remaning Silent
10. Behold Antichrist
11. Cursed by the Fallen
12. Réssurection
13. To Where I Weep
14. Astral Sophia
15. Thy Will Be Done

Disc 3
1. Shoot Them Down
2. Beneath the Starry Skies
3. Forgive Me
4. The Wasterland of My Heart
5. Burning the Palace
6. Prelude to War
7. Day of Wrath
8. Rise to War
9. Time Has Come / Final Battle
10. My Voyage Carries On
11. Striking Darkness
12. Seeds of Time
13. To Shine Forever
14. Theme of Antichrist

Les Fleurs du Mal / 2012

Therion-Les Fleurs du Mal
  • Album Info
  • 2012
  • Nuclear Blast

1. Poupée de cire, poupée de son (France Gall cover)
2. Une fleur dans le cœur (Victoire Scott cover)
3. Initials B.B. (Serge Gainsbourg cover)
4. Mon amour, mon ami (Marie Laforêt cover)
5. Polichinelle (France Gall cover)
6. La Maritza (Sylvie Vartan cover)
7. Sœur Angélique (Annie Philippe cover)
8. Dis-moi poupée (Isabelle cover)
9. Lilith (Léonie Lousseau cover)
10. En Alabama (Léonie Lousseau cover)
11. Wahala Manitou (Léonie Lousseau cover)
12. Je n’ai besoin que de tendresse (Claire Dixon cover)
13. La licorne d’or (Victoire Scott cover)
14. J’ai le mal de toi (Betty Mars cover)
15. Poupée de cire, poupée de son (France Gall cover)

Les Fleurs du Mal is a cover album and the fifteenth full-length album by Swedish symphonic metal band Therion. It was released on September 28, 2012 to celebrate the 25th anniversary of the band. Named after the 1857 volume of poetry Les Fleurs du mal, the album is fully sung in French language. It consist of metal cover versions of French pop songs from 1960s and 1970s, mostly from the ye-ye genre.

Sitra Ahra / 2010

Therion-Sitra Ahra
  • Album Info
  • 2010
  • Nuclear Blast

1. Introduction / Sitra Ahra
2. Kings of Edom
3. Unguentum Sabbati
4. Land of Canaan
5. Hellequin
6. 2012
7. Cú Chulainn
8. Kali Yuga III
9. The Shells Are Open
10. Din
11. Children of the Stone: After the Inquisition

Sitra Ahra is the fourteenth full-length musical album by Therion released on September 17, 2010 in Europe, and October 26, 2010 in North America. It is the first studio release since Gothic Kabbalah in 2007. The album title was announced on February 4, 2010

Gothic Kabbalah / 2007

Therion-Gothic Kabbalah
  • Album Info
  • 2007
  • Nuclear Blast

Disc 1
1. Der Mitternachtslöwe
2. Gothic Kabbalah
3. The Perennial Sophia
4. Wisdom and the Cage
5. Son of the Staves of Time
6. Tuna 1613
7. Trul
8. Close Up the Streams

Disc 2
1. The Wand of Abaris
2. Three Treasures
3. Path to Arcady
4. TOF – The Trinity
5. Chain of Minerva
6. The Falling Stone
7. Adulruna Rediviva

Gothic Kabbalah is the thirteenth full-length album by Swedish metal group Therion. It was released in Europe on January 12. 2007. This album was mixed by Stefan Glaumann who already contributed to bands such as Rammstein, Evergrey, Europe and Def Leppard. The main line-up has been slightly changed since previous studio albums (Lemuria and Sirius B). Petter Karlsson returned to play drums, having already played with the band during Lemuria / Sirius B tour during the period of 2004–2006. Since Christofer Johnsson announced in 2006 he is retiring from singing, vocals on Gothic Kabbalah were performed by Mats Levén, as well as Snowy Shaw and three female singers: Katarina Lilja, Anna Nyhlin and Hannah Holgersson.

The album is based on concepts from the life of 17th-century esoteric scholar Johannes Bureus.

Sirius B / 2004

Therion-Sirius B
  • Album Info
  • 2004
  • Nuclear Blast

1. The Blood of Kingu
2. Son of the Sun
3. The Khlysti Evangelist
4. Dark Venus Persephone
5. Kali Yuga, Part 1
6. Kali Yuga, Part 2
7. The Wondrous World of Punt
8. Melek Taus
9. Call of Dagon
10. Sirius B
11. Voyage of Gurdjieff (The Fourth Way)

Sirius B is the twelfth full-length musical album by symphonic metal band Therion. The album title refers to the star Sirius B. It was released simultaneously with LemuriaCover artwork was made by Thomas Ewerhard.

Lemuria / 2004

Therion-Lemuria
  • Album Info
  • 2004
  • Nuclear Blast

1. Typhon
2. Uthark Runa
3. Three Ships of Berik Part 1: Calling to Arms and Fighting the Battle
4. Three Ships of Berik Part 2: Victory!
5. Lemuria
6. Quetzalcoatl
7. The Dreams of Swedenborg
8. An Arrow from the Sun
9. Abraxas
10. Feuer Overtüre / Prometheus entfesselt

Lemuria is the eleventh full-length musical album by symphonic metal band Therion. The album title refers to the name of a supposed sunken continent Lemuria, much like Atlantis. It was released simultaneously with Sirius B. Cover artwork was made by Thomas Ewerhard.

Secret of the Runes / 2001

Therion-Secret of the Runes
  • Album Info
  • 2001
  • Nuclear Blast

1. Ginnungagap (The Black Hole) (Prologue)
2. (Old) Midgård
3. Asgård (The Bifrost Bridge)
4. (Call of) Jotunheim
5. Schwarzalbenheim (Svartalfheim) (Gold der Unterwelt)
6. Ljusalfheim (The Shining Ones)
7. Muspelheim (Gudaskymning)
8. Nifelheim (Dimmornas Värld)
9. Vanaheim (Seed of Ing)
10. Helheim (Den dimhöljda)
11. Secret of the Runes (Epilogue)

Secret of the Runes is the tenth full-length musical album by Swedish symphonic metal band Therion. It is a concept album based on Norse mythology, where each song describes one of the nine worlds. Cover artwork was made by Thomas Ewerhard, it features nine Scandinavian runes, each corresponding to a certain mythological world.

Album also includes two cover versions as bonus tracks. A music video was filmed for the Summer Night City cover.

Deggial / 2000

Therion-Deggial
  • Album Info
  • 2000
  • Nuclear Blast

1. Seven Secrets of the Sphinx
2. Eternal Return
3. Enter Vril-Ya
4. Ship of Luna
5. The Invincible
6. Deggial
7. Emerald Crown
8. The Flight of the Lord of Flies
9. Flesh of the Gods
10. Via Nocturna (Part 1 and 2)
11. O Fortuna (Carl Orff cover)

Deggial is the ninth full-length musical album by Swedish Symphonic metal band Therion in 2000. As with many of Therion’s other albums, Deggial features a choir and orchestra. Unlike their earlier release Vovin, which seemed to focus more on vocals, Deggials style leans towards hard rock and sounds overall like Vovin with more atmosphere.

Crowning of Atlantis / 1999

Therion-Crowning of Atlantis
  • Album Info
  • 1999
  • Nuclear Blast

1. The Crowning of Atlantis
2. Mark of Cain
3. Clavicula Nox
4. Crazy Nights (Loudness cover)
5. From the Dionysian Days
6. Thor (Manowar cover)
7. Seawinds (Accept cover)
8. To Mega Therion (Live)
9. The Wings of the Hydra (Live)
10. Black Sun (Live)

Crowning of Atlantis is the eighth album released by the symphonic metal band Therion. In the beginning it was an EP fleshed out with several covers and live tracks from Vovin Tour ’98 that the record label and management insisted be placed on it to make it a full-length album.

Vovin / 1998

Therion-Vovin
  • Album Info
  • 1998
  • Nuclear Blast

1. The Rise of Sodom and Gomorrah
2. Birth of Venus Illegitima
3. Wine of Aluqah
4. Clavicula Nox
5. The Wild Hunt
6. Eye of Shiva
7. Black Sun
8. The Draconian Trilogy: The Opening
9. The Draconian Trilogy: Morning Star
10. The Draconian Trilogy: Black Diamonds
11. Raven of Dispersion

Vovin (in Enochian VOVINVOVINA means dragon) is the seventh full-length musical album by symphonic metal band Therion. It is their bestselling album, selling over 150,000 copies in Europe alone. Even though it was released under the name Therion, Christofer regards this as his solo album, as it was recorded entirely with studio musicians who were not members of the band. 

A'arab Zaraq – Lucid Dreaming / 1997

Therion-A'arab Zaraq – Lucid Dreaming
  • Album Info
  • 1997
  • Nuclear Blast

1. In Remembrance
2. Black Fairy
3. Fly to the Rainbow (Scorpions cover)
4. Children of the Damned (Iron Maiden cover)
5. Under Jolly Roger (Running Wild cover)
6. Symphony of the Dead (shortened, instrumental)
7. Here Comes the Tears (Judas Priest cover)
8. Enter Transcendental Sleep
9. The Quiet Desert
10. Down the Qliphotic Tunnel
11. Up to Netzach / Floating Back
12. The Fall into Eclipse
13. Enter Transcendental Sleep
14. The Gates to A’arab Zaraq Are Open
15. The Quiet Desert
16. Down the Qliphotic Tunnel
17. Up to Netzach
18. Floating Back

A’arab Zaraq – Lucid Dreaming is the sixth full-length musical album by Swedish heavy metal band Therion released in the year that the band celebrated their tenth anniversary. The record contains a few unused songs from Theli, a few cover songs the band had made, plus a full soundtrack Christofer Johnsson had made independently for the film called The Golden Embrace.

Theli / 1996

Therion-Theli
  • Album Info
  • 1996
  • Nuclear Blast

1. Preludium
2. To Mega Therion
3. Cults of the Shadow
4. In the Desert of Set
5. Interludium
6. Nightside of Eden
7. Opus Eclipse
8. Invocation of Naamah
9. The Siren of the Woods
10. Grand Finale / Postludium

Theli is an album released by the symphonic metal band Therion. While Theli stays true to the band’s roots in that it has a very dark sound, it is a major turning point in their history. Set, Egyptian god, is shown on the front cover. This was the last album on which Christofer Johnsson sang, and the final album to include any death growls until their brief appearance on 2004’s “Lemuria“. A music video was filmed for the song “To Mega Therion”.

Lepaca Kliffoth / 1995

Therion-Lepaca Kliffoth
  • Album Info
  • 1995
  • Megarock Records

1. The Wings of the Hydra
2. Melez
3. Arrival of the Darkest Queen
4. The Beauty in Black
5. Riders of Theli
6. Blac
7. Darkness Eve
8. Sorrows of the Moon (Celtic Frost cover)
9. Let the New Day Begin
10. Lepaca Kliffoth
11. Evocation of Vovin

Lepaca Kliffoth is the fourth full-length studio release by Swedish band Therion. The title refers to the Qliphoth.

Symphony Masses: Ho Drakon Ho Megas / 1993

Therion-Symphony Masses: Ho Drakon Ho Megas
  • Album Info
  • 1993
  • Megarock Records

1. Baal Reginon
2. Dark Princess Naamah
3. A Black Rose (Covered with Tears, Blood and Ice)
4. Symphoni Drakonis Inferni
5. Dawn of Perishness
6. The Eye of Eclipse
7. The Ritualdance of the Yezidis
8. Powerdance
9. Procreation of Eternity
10. Ho Drakon Ho Megas (Act 1: The Dragon Throne)
11. Ho Drakon Ho Megas (Act 2: Fire and Ecstasy)

Symphony Masses: Ho Drakon Ho Megas is the third studio album released in April 1993 by Swedish metal band Therion. The album was remastered and re-released by Nuclear Blast in 2000 as part of The Early Chapters of Revelation box-set.

Active Records, Therion’s music label, decided to scale down their operations and the band was switched to the new owners, Megarock Records. The band was recording the album from December 1992 to January 1993 in The Montezuma Studio in Stockholm, Sweden, with the aid of engineer Rex Gisslén. Symphony Masses: Ho Drakon Ho Megas was released under changed line-up; only Christofer Johnsson remained. During the Beyond Sanctorum tour, the band ran into a few personnel problems. Oskar Forss decided to leave the band, Peter Hansson quit the band after health problems. Piotr Wawrzeniuk, from the band Carbonized in which Johnsson also played, took up drumming duties. The guitar was taken up by Magnus Barthelsson, an old school friend of Johnsson’s, while Andreas Wahl took up the bass.

The album marks the band’s departure from typical death metal in favor of experimentation with traditional doom metal, goth rock, progressive rock, jazz, symphonic classical, Persian traditional music, Arabic music, and 1980s heavy metal inspired by Iron Maiden and Judas Priest. The focus of lyrical themes changed from social and environmental issues and Lovecraftian fantasy to occult topics, including qliphoth, the mythological demon Lilith, and the Abyss (Thelema).

The Japanese version released by Toy’s Factory label includes three bonus tracks—”Enter the Voids” and 1991 demo versions of “Beyond Sanctorum” and “Symphony of the Dead”, both from Beyond Sanctorum. A 2006 Therion box-set Celebrators of Becoming includes the following songs from the album—”Baal Reginon” (recorded in Zug, Switzerland, 1994), “Dark Princess Naamah” (Buenos Aires, Argentina, 1995), “A Black Rose” (Buenos Aires, Argentina, 1995), “Dawn of Perishness” (Huddinge, Sweden, 1993 and Buenos Aires, Argentina, 1995).

The song “A Black Rose” has been included in a Nuclear Blast DVD compilation Death… Is Just the Beginning Classics released on March 25, 2002.

Song lyrics has been published officially for four songs only—”Baal Reginon”, “Dark Princess Naamah”, “Powerdance” and “Procreation of Eternity”.

Beyond Sanctorum / 1992

Therion-Beyond Sanctorum
  • Album Info
  • 1992
  • Active Records

1. Future Consciousness
2. Pandemonic Outbreak
3. Cthulhu
4. Symphony of the Dead
5. Beyond Sanctorum
6. Enter the Depths of Eternal Darkness
7. Illusions of Life
8. The Way
9. Paths

Beyond Sanctorum is the second studio album released on January 1992 by Swedish band Therion. The album was re-released on November 27, 2000 under the Nuclear Blast label as a part of The Early Chapters of Revelation box-set. It contains remastered songs, as well as four bonus tracks.

The band signed a contract with Active Records after the deal with previous label Deaf Records was signed only for one album and relations between band and label [Deaf] weren’t positive. Therion began to record a second full-length album in The Montezuma Studio in 1991. Before the recordings started, bass guitar player Erik Gustafsson decided to leave the band in order to return home to the U.S., but Therion continued as a trio with Peter Hansson, Oskar Forss and Christofer Johnsson filling in on bass guitar.

In Beyond Sanctorum, Therion began progressively including classical and other elements to their sound. The record shows a more experimental edge to the death metal music, with keyboard instruments, clean male & female vocalists used sparingly, and also some Persian folk music tunes. However, the riffing sections can be compared to most Stockholm death metal (see Scandinavian death metal) bands with power chord riffing in classical harmonic sense, its melodiousness, and lead riffing focusing on melodies. Overall structuring of narration and music dynamics is quite similar to European death metal conventions.The sound is comparable to the band’s earlier productions, having typical sound for Sunlight studios.

The lyrical content had changed into an occult theme. Therion began being inspired by H. P. Lovecraft writings. The song title “Cthulhu” refers to Lovecraft’s fictional deity Cthulhu that appears in Cthulhu Mythos.

The 2000 re-release album contains original remastered songs, and four bonus demo songs.

 

Of Darkness... / 1991

Therion-Of Darkness...
  • Album Info
  • 1991
  • Deaf Records

1. The Return
2. Asphyxiate with Fear
3. Morbid Reality
4. Megalomaniac
5. A Suburb to Hell
6. Genocidal Raids
7. Time Shall Tell
8. Dark Eternity

Of Darkness… is a debut studio album released in February of 1991 by the Swedish band Therion and it contains songs written in the early years of the band, during the 1980s. The album is indicated by the band itself as an end of its first era.

The album was re-released on November 27, 2000 under Nuclear Blast label as a part of The Early Chapters of Revelation box-set. It contains remastered songs, as well as four bonus tracks.

After releasing the third demo record Time Shall Tell EP in 1990, Therion got attention from the British label Deaf Records, a subsidiary of Peaceville Records, and signed the band’s first contract. Of Darkness… was recorded in Swedish studio Sunlight in Stockholm from August to September 1990 and released in February 1991. The initial line-up has not been changed since its last production. The album was produced by Tomas Skogsberg and the band itself.

Of Darkness… consists of songs Christofer Johnsson had written in the years of 1987–1989, many of which were available on the band’s demo recordings. Musically, “Of Darkness…” could be described as a typical death metal release, though elements of thrash metal are apparent as well.

Unlike later albums, lyrically, many tracks on the album focus on political and social issues. 

The 2000 re-release album contains original remastered songs, and four bonus demo and previously unreleased songs.

TOURDATES
DateVenueCityCountryInfoTickets
2019-10-20T08:00:00Horror ExpoSão PauloBrazilInfoTickets
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ALBUM REVIEWS
Therion - Beloved Antichrist

Listening to Therion brings back fond memories to me. They are one of the bands that introduced me to Extreme Metal with the brilliant Of Darkness… album. Beloved Antichrist is

February 21, 2018 by Riffvader
CONCERT REVIEWS
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VIDEOS
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