The Kovenant

ORIGIN: NorwayFORMED: 1992LABEL: Independent
    • Lex Icon-Vocals, Keyboards, Bass
    • Psy Coma-Guitars, Keyboards, Programming
    • Angel-Guitars

The Kovenant is a Norwegian black metal band from Hamar. The band originally formed as Covenant in 1993, but in 1999, were forced to change their name to The Kovenant due to a dispute with a Swedish electronic band of the same name.

The band was formed as Covenant in 1993 by two black metal artists known as Nagash and Blackheart. They both met when Blackheart decided to help Nagash with his one-man project Troll. No one seemed to pay attention to them after releasing a demo titled From the Storm of Shadows, but finally a record label, Mordgrimm, took notice of them and released their first album In Times Before the Light in 1997. This album was recorded two years prior in 1995 and established them a fan base in Norway. It sounds similar to Dimmu Borgir’s first opus For All Tid. 

Covenant signed with Nuclear Blast, a major German label dedicated to the hard rock scene, in 1998 and recruited four other members to form an actual band. These people were Astennu (of Dimmu BorgirCarpe Tenebrum), Sverd (of Arcturus), Sarah Jezebel Deva (of Cradle of Filth and others), and Hellhammer (of Mayhem and others). With these new recruits, they released their second album, Nexus Polaris, which was hugely successful (mainly thanks to Nuclear Blast’s promotions) and is largely considered their best album to date by fans. The album also resulted in the band getting a Norwegian Grammy for Best Hard Rock Band and led to Nagash leaving Dimmu Borgir (for which he played bass) in order to concentrate fully on The Kovenant.

After the release of Nexus Polaris, Sverd, Astennu, and Sarah were fired for what Nagash has said to be “various reasons” in several interviews. Only Nagash, Blackheart, and Hellhammer remained. The band then found themselves being sued by a Swedish band of the same name. The Swedish band argued that they owned the name “Covenant” as they had been known as Covenant before Nagash and Blackheart formed their band. Consequently, they were forced to change their name to The Covenant. Unfortunately, simply adding “The” in front of the name would not suffice, because a Dutch heavy metal band had been named The Covenant since 1988. So they added “The” and also replaced the “C” with a “K” to avoid any future confusions, leading to their permanent name “The Kovenant“.

In 1999, The Kovenant recorded and released Animatronic, which portrayed a stylistic change to a more industrial sound. Soon the band changed their individual stage names to suit their new direction: Nagash became “Lex Icon”, Blackheart became “Psy Coma”, and Hellhammer became “Von Blomberg”. The new album also afforded them another Norwegian Grammy and they gained a new member, Angel, while touring the USA. Although the new sound was frowned upon by some more traditional black metal listeners, the music also inspired other bands such as Black Nocturnal Darkness on their 2002 Xenobite-album.

After the Animatronic tour, Lex and Psy took a break and decided to re-record In Times Before the Light. But Nuclear Blast wanted nothing to do with the album, so they changed labels and released it through Hammerheart Records. A re-release of Nexus Polaris took place as well during 2002.

In 2002, the band found themselves back in the studio, recording SETI, their fourth album. The full-length release was preceded by a promotional EP SETI Club, and both were issued in 2003. Von Blomberg decided to do more touring and left the band to handle other projects. Two new members were recruited: Küth (of Ram-Zet) on drums and Brat (of Apoptygma Berzerk) on keyboards. They then toured Europe and the United States to promote the album.

Currently, the band is working on a DVD and a new album titled Aria Galactica. Lex Icon announced recently that they have 14 pieces written so far. The album will come with a second disc consisting entirely of symphonic renditions of the tracks from the primary disc, which suggests a return to the more symphonic style exhibited by the band on their 1998 album Nexus Polaris.


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